In December, the Globe and Mail released a re-design of its print edition – its first overhaul in seven years.
In a new post for INMA, the Globe‘s creative director Adrian Norris provides some key highlights of the publication’s print transformation.
“The experience was exhausting, inspiring, and exhilarating. It was also an incredible learning experience,” he writes.
Click here to learn what he, and the Globe, learned as part of this revamp.